{"title":"Non-Fiction — Cinema, Music, and Dance","description":"Click here to see each collection separately: \u003ca href=\"https:\/\/champaca.in\/collections\/non-fiction-cinema\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003e\u003cem\u003eCinema\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/champaca.in\/collections\/non-fiction-music\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem\u003e\u003cstrong\u003eMusic\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, and \u003cem\u003e\u003ca href=\"https:\/\/champaca.in\/collections\/non-fiction-dance\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eDance\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/em\u003e","products":[{"product_id":"dates-sites-project-cinema-city-bombay-mumbai","title":"Dates.sites - Project Cinema City Bombay\/mumbai","description":"\u003cp\u003edates.sites presents a timeline of the city of Bombay\/Mumbai in the 20th century, anchored to its most adored public institution: cinema. Why this timeline when it is now generally accepted that dates are rigid and memories porous – and that the latter needs to be prioritized over the former? How does one create a timeline that is neither cast in stone nor vulnerable to the charge of 'manufacturing a past'? How does one evolve a timeline for a geographically defined entity in the context of its popular cultures that are defined by specific processes of production and distribution? These were some of the challenges that confronted the making of this volume.\u003c\/p\u003e\n \n\n \u003cp\u003eThe volume is divided into sections by decades, and the decades in turn are separated by a series of calendars designed by artists, filmmakers, and designers. The text is a stitching together of found information and received knowledge from formal\/informal, acknowledged\/discarded sources. It is layered with images from either the public domain or personal archives. The relationship between text and image, far from being umbilical, is playfully associative. Just as contemporary readings are incorporated with dated markers in the written text, in the image text too, contemporary works are inserted alongside period images –and these incorporations and insertions appear with detectable joint-marks, in order to snap the spell of 'snippets from the past'. dates.sites thus becomes a deliberation on the contemporary with the aid of a speculated upon and collated past.\u003c\/p\u003e","brand":"Leftword Books","offers":[{"title":"Default Title","offer_id":32073029713955,"sku":"","price":995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/313tw4_M9VL._SX338_BO1_204_203_200.jpg?v=1590320969"},{"product_id":"begum-akhtar-loves-own-voice","title":"Begum Akhtar: Love's Own Voice","description":"\u003cp\u003eAkhtaribai Faizabadi, or Begum Akhtar as she was later called, was a much loved classical diva of 20th century India. The last of the great female singers from the courtesan (tawaif) community, Begum Akhtar effortlessly transcended that label to marry Barrister Ishtiaq Ahmed Abbassi of Lucknow. Witty, vibrant, and engaging with the world at various levels, here was a remarkable woman who took life head-on, and by many accounts, perhaps a bit recklessly. As a tawaif, she was trained to charm the system and subvert narrow patriarchal practies by means of highly sophisticated seduction. At another level, she was a hapless victim, constantly tormented by the twists and turns of her own destiny. She braved on regardless, driven by a deep inner quest to pursue love in its purest form, as an endin itself; be it in music or in life. Begum Akhtar: Love's Own Voice documents her troubled and tempestuous life through the narratives of some of her closest friends and associates.\u003c\/p\u003e","brand":"Roli","offers":[{"title":"Default Title","offer_id":32073051766819,"sku":"","price":495.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/9788174365958-us.jpg?v=1590321681"},{"product_id":"ustad-allauddin-khan","title":"Ustad Allauddin Khan","description":"\u003cp\u003eUstad Alauddin Khan is the story of a simple man who dedicated his life to attain oneness with God through different forms of music, Sahana, his great-granddaughter. Draws the story of his life from his handwritten manuscript, photographs and letters painstakingly archived by her father and Baba's grandson, Dhyanesh Khan. In the process, she takes us through his chequered and fascinating life - from the time he survived on alms just to learn music, to his archieving the status of a maestro. The book is a tribute to a legend, an attempt to reflect on the life of a man whose unparalleled ambition, will power, dedication and discipline, placed him among the finest musicians of the world.\u003c\/p\u003e","brand":"Roli","offers":[{"title":"Default Title","offer_id":32073051799587,"sku":"","price":500.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/51RQgMF8OiL._SX412_BO1_204_203_200.jpg?v=1595229148"},{"product_id":"androgyny-and-female-impersonation-in-india-nari-bhav-h-b","title":"Androgyny And Female Impersonation In India: Nari Bhav","description":"\u003cp\u003eAndrogyny is an engaging subject of discussion and research in the present times. This volume makes an effort to understand concepts of androgyny and ‘nari bhav’ or sensibility of the feminine beyond the anatomy-directed definitions circumscribed within the dubious realm of the ‘third sex’, or ‘third gender’. As expressed through various literary and performative traditions in India that emphasize interrelatedness of art and society, the concept of ‘nari bhav’ is a deeply rooted cultural belief in the fluid interplay of the female and the male symbolized, for example, as Ardhanariswara. The belief that the constant interplay of duality engenders balance and harmony in both personal and social aspects of human life and the acknowledgment of the existence of male and female tendencies—physiological and\/or emotional-psychological—within each individual has aesthetic validity, may be seen to form the basis of female impersonation in India. Such perception urges more inclusiveness in social attitudes, easier acceptance of different sexualities and ways of expressing gender. The volume discusses concepts of androgyny that permeate Indian cultural ethos and as expressed through female impersonators not only in religion, theatre and dance but also in contemporary performative mediums like films, television and the internet. The volume also presents interactions with performers of the dying art form of female impersonation.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Default Title","offer_id":32073056518179,"sku":"","price":795.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/A1d7vuI-RcL.jpg?v=1590305746"},{"product_id":"light-of-asia-indian-silent-cinema-1912-1934","title":"Light Of Asia: Indian Silent Cinema 1912-1934","description":"\u003cp\u003eLight of Asia: Indian Silent Cinema, 1912- 1934 in its new avatar celebrates the centenary of Indian cinema and the release of Dadasaheb Phalke’s Raja Harishchandra in1913. It provides a close-up view of the nascent days of Indian filmmaking and the first steps that led to the crest where the Indian movie industry rests today. Extensively researched and updated data, archival records, new essays by celebrated film historians and commentators, crisp reproductions of silent film stills, photos of emerging movie moghuls, journal covers, colour posters of films and quaint publicity material of the times–unearthed and restored by the National Film Archive of India–lend that unique,extra edge to this story of intellectual pursuit coupled with romantic vision.Along this journey of discovery, invention, technological wizardry and imagination, Indian silent cinema transformed myth and illusion into reality with magical ease for its viewers, involving the subtle interplay of light and shade, black and white, romance and betrayal, fact and fantasy.This book is a tribute to the Indian silent film era—cradle to the century-old exciting, pulsating and burgeoning Indian silver screen world of the 21st century.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Default Title","offer_id":32073056944163,"sku":"","price":695.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/511dQtFUheL._SX334_BO1_204_203_200.jpg?v=1590321849"},{"product_id":"shabd-aur-sangeet-unravelling-song-text-in-india","title":"Shabd aur Sangeet: Unravelling Song-Text In India","description":"\u003cp\u003eIn India, where oral traditions predate hand scripted manuscripts or printed compilations, poets with vastly varied literary impulses have written poems prescribing musical rendering in specific\u003cem\u003e raags\u003c\/em\u003e, \u003cem\u003etaals\u003c\/em\u003e and genres. There also exists a flourishing tradition of musicians and composers selectively extracting a few lines from a larger existing poem or narrative verse for use in forms that demand relatively less wordiness.\u003c\/p\u003e\n\u003cp\u003eBriefly then, there is ample evidence to prove that the giving, sharing, borrowing and lending between literature and music is in itself an established tradition in India where the \u003cem\u003evaggeyakar\u003c\/em\u003e or song composer is often both poet and music composer.\u003c\/p\u003e\n\u003cp\u003eIn the contemporary context, where music is as much ‘seen’ as heard, the study and analysis of the song-text in India as evinced in this volume must be an interdisciplinary and collaborative activity between musicians, composers, musicologists, ethnomusicologists and scholars and students of music, literature, linguistics, cultural studies, history, sociology, psychology, media, theatre, film and phonology.\u003c\/p\u003e\n\u003cp\u003eThis book therefore brings on board new ways of thinking and responding to the song-text in INDIA.\u003c\/p\u003e","brand":"Three Essays Collective","offers":[{"title":"Default Title","offer_id":32073070936099,"sku":"","price":750.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/cache_800_800_4_0_80_16777215_front-1.jpg?v=1590322259"},{"product_id":"legacy-keepers-celebrating-indias-art-forms","title":"Legacy Keepers: Celebrating India's Art Forms","description":"","brand":"Natraj Publishers","offers":[{"title":"Default Title","offer_id":32073088303139,"sku":"","price":799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/51BR7J1NJ0L._SX350_BO1_204_203_200.jpg?v=1590322839"},{"product_id":"bans-bar-girls-performing-caste-in-mumbais-dance-bars","title":"Bans \u0026 Bar Girls: Performing Caste In Mumbai's Dance Bars","description":"\u003cp\u003eThis book analyses the reasons for the ban on bar girls in Maharashtra. 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The result is a strange gift of a book, for musicians and music lovers, and for any creative mind in search of diverse and transforming inspiration.\u003c\/span\u003e","brand":"Hamish Hamilton","offers":[{"title":"550 Edition","offer_id":40765357555747,"sku":"","price":550.0,"currency_code":"INR","in_stock":false},{"title":"350 Edition","offer_id":40765357588515,"sku":"","price":350.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/91S8NOIo-WL.jpg?v=1615893173"},{"product_id":"this-life-at-play","title":"This Life At Play","description":"\u003cspan id=\"freeText6036071514330680608\" data-mce-fragment=\"1\"\u003eGirish Karnad was one of modern India’s greatest cultural figures: an accomplished actor, a path-breaking director, an innovative administrator, a clear-headed and erudite thinker, a public intellectual with an unwavering moral compass, and above all, the most extraordinarily gifted playwright of his times.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis Life at Play, translated from the Kannada in part by Karnad himself and in part by Srinath Perur, covers the first half of his remarkable life – from his childhood in Sirsi and his early engagement with local theatre, his education in Dharwad, Bombay and Oxford, to his career in publishing, his successes and travails in the film industry, and his personal and writerly life.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMoving and humorous, insightful and candid, these memoirs provide an unforgettable glimpse into the life-shaping experiences of a towering genius, and a unique window into the India in which he lived and worked.\u003c\/span\u003e","brand":"Fourth Estate","offers":[{"title":"Default Title","offer_id":39378982305827,"sku":"","price":499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/91dEwbPlrXS.jpg?v=1625897245"},{"product_id":"crying-in-h-mart","title":"Crying In H Mart (650 Edition)","description":"\u003cspan id=\"freeText17368121909790523902\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFrom the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 \u003ci data-mce-fragment=\"1\"\u003eNew Yorker\u003c\/i\u003e essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up the only Asian American kid at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. 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And always there was the music, at the centre of his being, protected and unharmed—music that contained the sound of ‘fairies dancing, elephants walking’. Vilayat Khan saw music. He was the man who made the sitar sing. .\u003c\/p\u003e\n\u003cp\u003eNamita Devidayal, author of the acclaimed bestseller, \u003ci\u003eThe Music Room\u003c\/i\u003e, recreates the extraordinary life of an artiste who fundamentally and forever changed Indian instrumental music. She follows his footsteps from Calcutta, through Delhi, Bombay, Shimla and Dehradun, to Princeton, USA, where he spent his last years. Filled with previously untold stories about the man and the musician, this is an intimate portrait of an uncommon genius. .\u003c\/p\u003e\n\u003cp\u003eIt is also an absolute feat of research—and storytelling. .\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e‘Vilayat Khan and Ravi Shankar promised each other they would never perform together after this. Kishan Maharaj later told someone, ‘If these two eyes of India play together again, one will shut for ever.’ \u003c\/i\u003e\u003c\/p\u003e","brand":"Context","offers":[{"title":"Default Title","offer_id":39581891821603,"sku":"","price":499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/81xMi18O_LL.jpg?v=1644383605"},{"product_id":"speaking-of-films","title":"Speaking Of Films","description":"\u003cdiv id=\"descriptionContainer\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"description\" class=\"readable stacked\" style=\"right: 0;\" data-mce-fragment=\"1\" data-mce-style=\"right: 0;\"\u003e\u003cspan id=\"freeText10411209417795167716\" data-mce-fragment=\"1\"\u003eIndia's greatest film-maker on the art and craft of films Exactly fifty years ago, in 1955, the release of Pather Panchali heralded the arrival of a master in the world of cinema. Over the next forty years, Satyajit Ray came to be regarded as one of the world's finest film-makers ever. Today, more than a decade after his death, he continues to be India's most respected name in international film circles. Apart from his achievements as a director, Ray was also a prolific writer of novels, short stories, and essays on cinema. \u003ci data-mce-fragment=\"1\"\u003eSpeaking of Films\u003c\/i\u003e brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar; the incredible memory of the seventy-five-year-old Chunibala Devi, the Indir Thakrun of Pather Panchali, and her remarkable attention to details. This first-ever translation of \u003ci data-mce-fragment=\"1\"\u003eBishay Chalachitra\u003c\/i\u003e, a seminal collection of essays on cinema, \u003ci data-mce-fragment=\"1\"\u003eSpeaking of Films\u003c\/i\u003e retains the lucidity and simplicity that is a hallmark of Ray's writing, and gives an invaluable insight into the mind of a genius.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Penguin","offers":[{"title":"Default Title","offer_id":39598294269987,"sku":"","price":299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/618FbwZGyLL.jpg?v=1646547369"},{"product_id":"heisnam-sabitri-the-way-of-the-thamoi","title":"Heisnam Sabitri: The Way Of The Thamoi","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeisnam Sabitri is a critically acclaimed Indian stage actor and one of the most notable personalities in Manipuri theatre. Born into a Meitei family in Mayang Imphal, Manipur, she was introduced to theatre as a child artist by her aunt and theatre actor Gouramani Devi. She married stage director Heisnam Kanhailal in 1962, and together, they founded Kalakshetra Manipur in 1969. She also acted in a short film, Mahadevi Akka (1999), and the film won the National Film Award for the best anthropological film. A former government-nominated member of the Sangeet Natak Akademi, Sabitri was awarded the Padma Shri, the fourth highest civilian award, in 2008, for her contributions to Manipuri theatre.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘[A] continuous poem…in motion’ and ‘a living national treasure’ (2014) commented Richard Gough, professor of theatre at Wales University, UK, about Sabitri, after witnessing her performing on stage. This book is an invaluable addition to theatre and performance studies. It delineates the first-hand perspective of Heisnam Sabitri, as well as her husband, Heisnam Kanhailal—two great legendary innovators of 20th-century Indian theatre. It views the different aspects of theatre in the light of ‘thamoi’—a Meitei specific concept.\u003c\/span\u003e","brand":"Niyogi Books","offers":[{"title":"Default Title","offer_id":39636544061475,"sku":"","price":299.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/71sZV_6RGLL.jpg?v=1652606275"},{"product_id":"rein-gold","title":"Rein Gold","description":"\u003cspan id=\"freeText6842593893767646771\" data-mce-fragment=\"1\"\u003e2004 Nobel Prize in Literature laureate Elfriede Jelinek's \u003cem data-mce-fragment=\"1\"\u003eRein Gold\u003c\/em\u003e reconstructs the events of Wagner's epic Ring cycle and extends them into the present day. Originally written as a libretto for the Berlin State Opera, \u003cem data-mce-fragment=\"1\"\u003eRein Gold\u003c\/em\u003e is a 'buhnenessay', an essay for the stage, structured in the form of a dialogue between Wotan, father of the gods, and his favourite daughter, Brunnhilde, in the third act of \u003cem data-mce-fragment=\"1\"\u003eThe Valkyrie\u003c\/em\u003e. The book opens with Brunnhilde diagnosing her father Wotan to be a victim of capitalism because he, too, has fallen into the trap of wanting to own a castle he cannot afford. In stream of consciousness monologues, Brunnhilde and Wotan touch on a number of events from the days of the Nibelungen Saga to the 2008 financial crisis caused by the US subprime mortgage crisis and the role of banks therein, and through Marx's ideas as developed in Das Kapital, written almost contemporaneously with Wagner's Ring cycle. While rooted in Wagner's libretto, this sophisticated mesh of interwoven ideas also covers recent and current events, such as the way world leaders act in times of financial crisis, or the murders committed by the German neo-Nazi NSU group. Jelinek offers fascinatingly rich context for current political debates, as well as some intriguing new ideas, while never straying far from her leitmotif, the birth of capitalism.\u003c\/span\u003e","brand":"Fitzcarraldo Editions","offers":[{"title":"Default Title","offer_id":39653669601315,"sku":"","price":599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/317S-XlIELS.jpg?v=1655619797"},{"product_id":"the-spirit-of-enquiry-notes-of-dissent","title":"The Spirit of Enquiry: Notes of Dissent","description":"\u003cp data-mce-fragment=\"1\"\u003eAs a vocalist in the Karnatik tradition, T.M. Krishna eludes standard analyses. Uncommon in his rendition of music and original in his interpretation of it, Krishna is at once strong and subtle, manifestly traditional and stunningly innovative. He is searingly outspoken about issues affecting the human condition. His work is spread across the whole spectrum of music and culture, politics and the social sphere; he is at once philosophical, aesthetic and sociopolitical, and asks important questions about how art is made, performed and disseminated. Unabashedly given to rethinking classical paradigms, he addresses crucial issues of caste, class and gender with nuance and openness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the first time, T.M. Krishna’s key writings have been put together in this extraordinary collection.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Spirit of Enquiry: Dissent as an Art Form\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edraws from his rich body of work, thematically divided into five key sections: art and artistes; the nation state; the theatre of secularism; savage inequalities; and in memoriam. Revised and expanded, and with marvellous new additional materials and powerful new introductions, this is a collection that reflects the critical and cultural engagement of one of our finest thinkers, public intellectuals and practitioners of art.\u003c\/p\u003e\n\u003cdiv class=\"social-div\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Allen Lane","offers":[{"title":"Default Title","offer_id":39654780764195,"sku":"","price":799.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/9780670095803.jpg?v=1655878616"},{"product_id":"of-oppressors-body-mind","title":"Of Oppressor's Body \u0026 Mind","description":"We have grown up reading about “oppression”. We did not often read about “oppressor”. We have read about victims, speaking about their victimisation. We did not often read about victims speaking about the oppressor, the source of their oppression. This way, we have grown up knowing only one side of the coin. The biggest obstacle in the way of change we seek, lies here. We know about the symptom, we do not know about the cause. “Of Oppressor’s Body and Mind” by Yogesh Maitreya, is an attempt to explore the workings of the body and mind of oppressors in India. It is an attempt to understand this through the literature, cinema and literary discourse they produce. Attachments area","brand":"Panther's Paw","offers":[{"title":"Default Title","offer_id":39759601795107,"sku":"","price":350.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/119841682_2585248685119967_1215765341684178823_o.jpg?v=1662718111"},{"product_id":"every-song-ever-twenty-ways-to-listen-in-an-age-of-musical-plenty","title":"Every Song Ever: Twenty Ways To Listen In An Age Of Musical Plenty","description":"\u003cp\u003eWhat does it mean to listen in the digital era?\u003c\/p\u003e\n\u003cp\u003eToday, we can listen to nearly anything, at any time, from Detroit techno to jam bands to baroque opera. The possibilities in this new age of listening overturn old assumptions about what it means to properly appreciate music - to be an \"educated\" listener. \u003c\/p\u003e\n\u003cp\u003eIn Every Sing Ever, veteran New York Times music critic Ben Ratliff reimagines the very idea of music appreciation in this day and age. As familiar subdivisions liek \"rock\" and \"jazz\" matter less and less and music's accessible past becomes longer and broader, listeners can put aside the intentions of composers and musicians and engage music afresh, on their own terms. The result is a new mode of listening that can lead to unexpected connections and astonishing possibilities - as well as dangers. \u003c\/p\u003e\n\u003cp\u003eEncompassing the sounds of five continents and several centuries, Every Song Ever is a necessary field guide to our musical habitat, and a foundation for the new aesthetics our age demands. \u003c\/p\u003e","brand":"Picador","offers":[{"title":"Default Title","offer_id":39822044889123,"sku":"","price":899.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/81i5FmBUvkL.jpg?v=1665224538"},{"product_id":"song-of-goa-crown-of-mandos","title":"Song Of Goa Crown Of Mandos","description":"\u003cspan\u003eOf all the world's civilizations only one, the Western, has succeeded in creating the framework for fostering the unity of mankind. Originating in Western Europe, it almost entirely supplanted the cultures and civilizations of America and Australia. Africa and Asia continue to proclaim their loyalty to their traditional ways of life, but they do so through the use of concepts borrowed from the West. They have all adopted the Western institution of the nation state, and their artists, writers and musicians express themselves in forms created by their Western counterparts. Many African nations conduct their business in European languages, English, French and Portuguese. Only Asia and North Africa have resisted total assimilation, but some of their regions, like Japan, have developed a kind of cultural ambivalence where, on the one hand they excel the West in its own skills, like technology, and on the other, self-consciously maintain a measure of traditional culture. Yet it is nothing that they themselves generated which now unites them -- as for instance Buddhism or Islam -- but only their acceptance of Western ideas and institutions. This westernization of the world, an event of transcendental importance, was initiated by a nation of minuscule proportions, Portugal. The westernization of Asia was begun successfully by the Portuguese and by the Indian converts to their way of life in the even more minuscule land of Goa. It was in Goa that the first (abortive) attempt was made to create a political entity independent of European control, but on the European model, in the Conjuração dos Pintos (Conspiracy of the Pintos, 1787). It was in Goa that was first advanced the rationale for an independent India, by Francisco Luis Gomes (1829-1869), when he declared, in his letter to the French Romantic poet Lamartine in 1861, that India was the cradle of poetry, of philosophy and of history, and today their grave ; that the Indian was the race which composed the Mahabharata and invented chess, a nation which recorded her laws in poems and formulated her politics but was now lying exhausted of all her fecundity, in obscurity amid the dazzling brilliance of her own glory. Exclaimed Gomes at the end of his letter: I demand liberty and light for India! It was in Goa that a successful synthesis of European and Asian styles of architecture was first achieved, in the grand structures of Indian Baroque, some of the best of which still survive in the former capital of Portuguese India, Velha Goa. It was in Goa that European literary forms were first embodied in any Asian language, the language of Goa, Konkani. And it was in Goa that the first symbiosis of any Asian tradition of music with the European was realized, in Goan Song, of which the Mando is the consummation. This book gives a detailed overview and exhaustive coverage of this form of Goan music -- the mando.\u003c\/span\u003e","brand":"Broadway Publishing House","offers":[{"title":"Default Title","offer_id":39849887432739,"sku":"","price":450.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/61IbpjQxBBL.jpg?v=1666948806"},{"product_id":"undra-muja-mama-folk-songs-of-goa","title":"Undra Muja Mama: Folk Songs Of Goa","description":"\u003cspan data-mce-fragment=\"1\"\u003eDulpod. Song sung after the Mando, of quick rhythm, typically descriptive of everyday Goan life, particularly that of the Christians. A folk song of the nobility. Offered here is a collection of dulpods, dance songs depicting vignettes of life in traditional Goa. It is a collection more complete than the first one ever made of them (from 1866 to 1870) by the pioneer collector of Konkani folk songs, Miguel Vicente de Abreu (1827-1884). Abreu (who identified himself as um curioso ) compiled his collection while dulpods were still being composed; the present collection was completed when their period of composition had long ended. They portray an idyllic world which in our own lifetime has vanished past recall, and which some of us were privileged to witness while it still enjoyed some of its vitality. Inhabiting this world were characters like the advogad (lawyer), alfiad (alfaiate, tailor), beatinny (devout spinster), bikari (beggar), firngi (paklo, white man, Portuguese), forvoti (sawyer), harvi (fisherman), iscrivaum (scrivener), inglez (Englishman), kolvont (temple dancer), marinheir (seaman), maskany (fishwife), mistis (mestiço), padri (pad vigar, pad cur, patiu; priest, vicar, curate), poskany (female merchant), render (toddy tapper), rendenny (toddy tapper s wife), roper (clothier), sonar (goldsmith), tanddel (ferryman), and tovoi mest (carpenter). Not many researchers have studied the Dulpod. Among the few who have are Lúcio Rodrigues (1915-1973) and António Mascarenhas (1916-1993), particularly the former, who not ineptly termed it the song of joy, for its mostly anonymous Konkani authors describe joyous characters living in a stable world, with its tranquility disturbed by armed conflicts, ever increasing emigration, and the introduction of technology. But to some authors who wrote in Portuguese -- like Gip (Francisco João da Costa, 1864-1901) and José da Silva Coelho (1889-1944) -- it was a world of hypocrisy and pretense, features that it undoubtedly possessed. The Dulpod, though not ignorant of the darker side of Goan life, concerns itself mainly with the joyous existence which that life had to offer. The Dulpod is a dance song that originated in the aristocratic mansions in Goa after the introduction of ballroom dancing in the early 19th century. Goans became addicts to ballroom dancing, and continue to be so in this 21st century. They mastered the dances current in Europe, like the Waltz (in vogue from 1816), the Polka (originated around 1830), Lancers (from around 1860) and the Pas-de-Quatre (1892). But they needed to have dance songs of their own; they invented four: the Mando, the Mando-Dulpod, the Dulpod, and the Deknni. The Mando is a slow verse-and-refrain song, in six-four time, dealing with love, tragedy and contemporary events, both social and political. The Mando-Dulpod is a slower variety of the Dulpod (or a quicker sort of Mando), also in six-four time, facilitating the transition from the Mando s slow rhythm to the quicker one of the Dulpod. The Dulpod itself, in six-eight time, is typically descriptive of Goan life, particularly that of the Christians. The Deknni ( Song of the Deccan ) is a song imitating Hindu music in the musical idiom current among the Christians, in two-for or six-eight time, descriptive mostly of Hindu life, with special attention given to temple dancers. We have already published three volumes on the Mando, and one on the Folk Songs of Goa: Mando-Dulpods and Deknnis. The present volume is devoted to the Dulpod alone.\u003c\/span\u003e","brand":"Broadway Publishing House","offers":[{"title":"Default Title","offer_id":39849897590819,"sku":"","price":295.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/products\/81km8oxSODL.jpg?v=1666949705"},{"product_id":"an-introduction-to-hindustani-classical-music-a-guidebook-for-beginners","title":"An Introduction to Hindustani Classical Music: A Guidebook for Beginners","description":"\u003cspan data-mce-fragment=\"1\"\u003eAn Introduction to Hindustani Classical Music - A Guidebook for Beginners is Vijay Singha's comprehensive guide to savour and appreciate classical music. 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Embracing every one of her varied characters, whether in comedy, action, romance, or drama, her performances gave off an energy that made every dialogue and movement of hers unforgettable.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery few people, however, know that it was her extensive work in the South Indian film industry that made her performances feel effortless. Learning under the tutelage of legendary actors like M.G. Ramachandran, Jayalalithaa, N.T. Rama Rao, Gemini Ganesan and Sivaji Ganesan, as well as working with future legends like Rajinikanth, Kamal Haasan and Chiranjeevi, Sridevi was destined for greatness. This book looks at her early career as a child artist and leading lady before she became a household name in North India. 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Wald delves deep into the folk revival, the rise of rock, and the tensions between traditional and groundbreaking music to provide new insights into Dylan’s artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever. 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Believed to have been forever lost after the film-maker donated it to the Cinematheque Francaise, the storyboard is now available as a book, along with other interesting and previously unseen aspects on the film. 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From the narrow lanes of Kashipur to the sweeping hills of San Rafael, these artists emerge from vastly different worlds, yet each has devoted their life to music with unflinching conviction and artistic courage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAmong them are the heirs of musical legacies, grappling with the weight of inheritance; vocalists who challenge gendered assumptions embedded in the tradition; instrumentalists who reimagine the expressive possibilities of their craft; a sarangi player navigating the complexities of caste and faith; and a tabla maestro bridging a lineage ruptured by Partition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs these musicians forge their identities within a classical tradition, they reveal an artform not only enduring, but continually transforming - connecting generations, reshaping boundaries and resonating anew. What binds them is a profound surrender to the art, a deep-seated devotion that transcends convention and circumstance. Together, they form a luminous, emotionally textured portrait of a musical legacy - rooted and radically alive.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hachette","offers":[{"title":"Default Title","offer_id":40863014551587,"sku":"","price":699.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/3607\/9395\/files\/61thys0QbNL._SY466_d539c3e7-26fb-4805-8e88-4a0e6ea902e6.jpg?v=1750491604"},{"product_id":"unmechanical-ritwik-ghatak-in-50-fragments","title":"Unmechanical: Ritwik Ghatak in 50 Fragments","description":"\u003cp\u003e\u003cspan\u003eRitwik Ghatak died a broken, ravaged man. Almost every film he made failed at the box office at the time-if they were released at all-and his life and family were in a shambles, his partitioned Bengal was no closer to healing, no rapprochement with the left parties was in sight. But Safdar Hashmi describes the day he died, 6 February 1976, thus: hundreds of people thronged the hospital he lay in, and as the funeral procession began in the afternoon, thousands joined in, singing all the way to the burning ghat.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIf he wasn't feted in his time, Ghatak's relevance has only grown globally since: the bold innovations of his humanist cinema, the depth of his engagement with the lives of the people and his uncompromising vision for true revolution steeped in the history and culture of the land. 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